By Joshua Olomu

The management of Nigeria’s biggest virtual cinema platform, Circuits, has unveiled a free-to-view solutions for digital content distribution.

The Chief Operating Officer of Circuits, Mrs Imade Bibowei-Osuobeni, made this known to the News Agency of Nigeria (NAN) on Tuesday in Abuja.

Bibowei-Osuobeni said the move was to increase affordability and access that allows users to rent curated bundles of content for either seven or 21 days.

She said the platform initially focused on showcasing top-quality films from leading Nollywood filmmakers and helped establish credibility early on.

“Since its launch, films in this category have been made free to view.

“FlexiWatch is our response to how African audiences want to consume content,” she said.

According to her, the feature is already proving popular among users who want more control over their viewing choices.

“It gives people flexibility, affordability, and access to some of the best content from across the continent.

“Beyond its viewing model, Circuits is contributing to the growth of Africa’s creative economy. It is creating employment in areas such as content creation, social media management and marketing, among others.

“For many creators, Circuits offers a more sustainable and empowering approach to digital distribution.

“The platform does not seek to replace existing services. Instead, it complements both local and global platforms by offering a solution that is uniquely aligned with African realities.

“Circuits supports creators with a secure and adaptable system while working collaboratively across the digital content ecosystem.

“Celebrated for its multilayered content protection approach, Circuits is available via web, mobile apps, and smart TVs, connecting African stories to a global audience with ease,” Bibowei‑Osuobeni said.

She said the platform was helping to shape a future where African content, whether a film, series, live event, or comedy show, thrive and travel beyond borders.

“With thousands of users across the world and on track to hit its first million, Circuits is more than a platform.

“It is a growing cultural infrastructure designed to celebrate African creativity, support digital inclusion, and take African stories to the world.

“More than just a streaming platform, Circuits, fondly called Circuits TV by users, offers a full range of African content, including films, series, documentaries, short features, and comedy shows.

“The event reached thousands of viewers in real time and demonstrated Circuits’ capacity to deliver large-scale live entertainment globally.

“Since its launch in late 2024, Circuits has grown steadily, gaining trust and popularity by making premium content accessible, affordable, and secure.

“Viewers pay only for what they watch, with no monthly subscriptions or financial inconveniences and can purchase a movie ticket for as low as N1,000, far cheaper than what they would have paid in a traditional cinema,” she added.

She added that the platform had expanded its catalogue to include content from across English-speaking African countries.

She said the platform recently moved into Francophone regions such as Senegal and Côte d’Ivoire with the premiere of the award-winning film, Souleyman’s Story. (NAN)(www.nannews.ng)

Edited by Chinyere Joel-Nwokeoma

By Babajide Awoyinfa

Spotify has announced Nigerian Afrobeats talent, Fola, and South African Afro House DJ and producer, Thakzin, as part of its RADAR Africa initiative.

According to the streaming platform, these artistes have promoted and shaped Sub-Saharan Africa’s music scene.

Spotify’s Head of Music, Sub-Saharan Africa, Phiona Okumu, said this in a statement on Thursday.

According to her, the platform is committed to discovering and amplifying emerging voices in championing boundary-pushing artistes shaping the sound of tomorrow.

Okumu said that Spotify Radar was not just a platform, but a launchpad.

“It reflects Spotify’s commitment to empowering local artistes across Sub-Saharan Africa and delivering the best listening experience in the region.

“From Lagos to Johannesburg, RADAR celebrates the diversity of talent on the continent, offering artistes equal access to global audiences.

“At Spotify, we believe in the power of African storytelling through music,” she said.

She described FOLA and Thakzin as incredibly unique artistes who represent the spirit of RADAR.

“By amplifying their journeys, we hope to inspire more creators across the continent to believe in their vision and reach for bigger stages,” she said.

Fola, born Folarin Odunlami, first caught attention with his freestyles on social media, quickly making a name for himself with his blend of Afrobeats rhythms and soulful storytelling.

His breakout EP ‘What A Feeling’, featuring the Bella Shmurda-assisted hit, “Who Does That”, laid the foundation for a fast-rising career that now includes collaborations with BNXN, Magixx, and BhadBoi OML.

“Looking at where I’m coming from, I see every opportunity as a blessing. So, it’s a blessing to have been selected, just like others before me.

“I want my fans to know that in the midst of all the noise, I made something they could truly connect with, feel and share with those who mean something to them.

“I want everyone who listens to, at the very least, recognise that they’re witnessing the early days of something truly special,” Fola said.

On the southern tip of the continent, Thakzin’s journey began in Ivory Park, Johannesburg, with early jazz and kwaito influences.

Also, a deep respect for traditional percussion shaped his signature sound.

With co-signs from Black Coffee and international tastemakers like Laurent Garnier, his genre-defying approach to Afro House, was heard in his 2023 anthem, “The Magnificent Dance”.

Following the release of Magnificent Dance, his version of ‘Horns In The Sun’, by DJ Kent, became a viral hit across South Africa and gained global traction, potentially surpassing the success of ‘Magnificent Dance’.

Thakzin’s sound is rooted in African spirituality and healing, inspired by the rhythmic power of traditional drums.

Shaped by a musical upbringing and guided by his father, a keyboardist, he blends rich harmonies with percussive elements to create an immersive Afro-house experience. (NAN)(www.nannews.ng)

Edited by Folasade Adeniran

By Deborah Ifeanyi

‘Hakeem: Seeking Justice’, a thrilling Nollywood action drama, will hit cinemas nationwide on Aug. 1, its producers have said.

Afristar Media announced the release date on its Instagram page on Monday.

The film, produced by Afristar Media and distributed by FilmOne Entertainment, feature a star-studded cast that strengthens its emotional and dramatic core.

According to the Instagram post, Justice has a new name. HAKEEM is coming for the truth and nothing will stand in his way.

Directed by Abdulrasheed Bello (JJC Skillz), the film follows Hakeem, played by Deyemi Okanlawon, as he confronts loss, betrayal, and injustice in a society that constantly tests his will.

The ensemble cast includes ace actors Ali Nuhu, Chioma Chukwuka, Zubby Michael, Gabriel Afolayan, Bolanle Ninalowo, Regina Daniels, Liquorose, Skales, and White Money.

JJC Skillz, known for the acclaimed blockbuster ‘Omo Ghetto: The Saga’, brings his dynamic storytelling to the action genre, fusing raw visuals with emotional depth. (NAN)(www.nannews.ng)

Edited by Joshua Olomu

By Babajide Awoyinfa

Spotify has released its ‘Global Impact List in Nigeria’, spotlighting the country’s top 30 songs and tracks for the first half of 2025.

According to the streaming service, the curated list features Nigerian artistes that have resonated with international audiences.

In a statement, Phiona Okumu, Spotify’s Head of Music, Sub-Saharan Africa, on Monday said that this year’s Global Impact List showcases the incredible range and global appeal of Nigerian music.

According to Okumu, leading the charge is Afrobeats sensation, Rema, whose track, “Baby”, claims the #1 spot as the most exported Nigerian song of 2025.

Fresh off the first anniversary of his critically acclaimed album, ‘HEIS’, Rema continues to solidify his position as a global powerhouse, captivating listeners worldwide with his innovative sound.

In a list dominated by Afrobeats, gospel music shines on the global stage with Lawrence Oyor’s gospel anthem, “Favour”, which stands out as the only gospel track to secure a spot.

The Global Impact List also highlights the rise of Nigeria’s next generation of stars.

Emerging artistes Chella and Minz earned their place with standout tracks, “My Darling” and “Number One”.

These new voices underscore the growing international appetite for fresh, innovative sounds from Nigeria.

Also, Nigerian female artistes continue to make waves globally, with Ayra Starr securing two spots on the list with her tracks, “All The Love” and “Gimme Dat”, and Teni shining with her hit, “Money”.

Their contributions highlight the powerful and boundary-pushing presence of women in Nigeria’s music scene, captivating audiences worldwide.

Davido leads with an impressive nine entries on the list, while Burna Boy follows closely with five.

According to Okumu, their consistent global appeal and cross-generational resonance reaffirm their status as pillars of Nigerian music’s international success. (NAN)(www.nannews.ng)

Edited by Folasade Adeniran

By Joshua Olomu

Hannatu Musawa, Minister of Arts, Culture, Tourism and Creative Economy, has inaugurated the Local Organising Committee (LOC) for the 2025 All-Africa Music Awards (AFRIMA) scheduled to hold in Lagos.

The AFRIMA 2025 is slated to hold from November 25 to 30, with the theme “Unstoppable Africa.”

The News Agency of Nigeria (NAN) reports that the inter-agency LOC was inaugurated at the ministry’s headquarters on Wednesday in Abuja.

Members of the committee were drawn from the Ministry of Foreign Affairs, Federal Ministry of Information and National Orientation, Nigerian Film Corporation and the National Film and Video Censors Board.

Others included the Federal Ministry of Interior, National Council for Arts and Culture, Representative of AFRIMA and that of the African Union Commission, among others.

According to the minister, AFRIMA, in collaboration with the African Union Commission (AUC), has requested sponsorship and partnership with the ministry for the successful hosting of the ninth edition of the awards.

She said AFRIMA was a testament to Africa’s creativity and the vibrant spirit that characterises African Music.

Musawa said inauguration of the LOC was the beginning of a remarkable journey that would be both exciting and demanding and therefore, urged members to ensure seamless planning and organisation of the event.

“The relationship between the Ministry, AFRIMA and the AUC is one that has continued to thrive through the years.

“This collaboration is not only going to solidify this relationship but will go a long way to further strengthen the African Music Industry through other programmes that will make a lasting impact on our cultural landscape and ecosystem.

“To the members of this committee, thank you for accepting this national responsibility as your experience, your insights, and your dedication will be instrumental in making this event a resounding success.

“We are counting on your expertise, leadership, integrity, and your ability to work as a team with a shared vision.

“Let us remember that every detail we plan, every challenge we overcome, and every partnership we build, contributes to something bigger.

“As we begin this journey together, let us move forward with purpose and with the commitment to deliver an unforgettable celebration of our vibrant music.

“Thank you and congratulations once again to all members of the Local Organising Committee. Let’s make history together,” she said.

In his remarks, Mike Dada, President of AFRIMA, expressed delight for the inauguration of the LOC, adding that the 2025 edition would be a milestone.

He said the 2025 AFRIMA is expected to welcome leading and budding African music superstars, creative industry professionals, international media, members of the diplomatic corps and fans of African music from around the world.

He said the event would feature over 1,600 nominees, including their teams, over 25,000 visitors, and delegates from around the world.

According to him, several events are lined up to precede the main awards ceremony, including the AFRIMA Music Conference, country and city tours.

“Our music is globally recognised, and our artists, whether they are singing Afrobeat, Amapiano, Sukus or others, are global stars.

“But if you don’t tell your story, nobody will hear it and only the private sector cannot do it alone, we need the policy makers, the managers of the system to make it work,” he said.

NAN reports that AFRIMA was established in 2014 by the International Committee in collaboration with the African Union (AU).

The annual event is aimed at rewarding and celebrating the musical works, talents, and creativity from across the African continent while promoting African cultural heritage. (NAN)(www.nannews.ng)

Edited by Ekemini Ladejobi